Showing posts with label recommendations. Show all posts
Showing posts with label recommendations. Show all posts

Monday, April 20, 2009

Bound and determined.

I have a problem. I cannot stop buying books.

Once after acknowledging our similarly overflowing bookshelves, Niaz and I half formed a pact in which we vowed to allow ourselves to buy only one new book after reading three already-purchased ones. That sounded nice, didn't it? A good way not only to get through my ever-lengthening reading list, but also to give my bank account a break. I don't know about him, but I have a sneaking suspicion that he too surrendered like I did to the siren song of bookstores. I think I read one whole book before going to Barnes & Noble and buying enough books to make my 10%-off Member Card worth the membership fee.

I have never been good with resolutions – New Year's or otherwise – and it's becoming increasingly apparent that I might have an addictive personality. This probably explains the almost-one-hundred dollars I dropped at the Southern Kentucky Book Fest in Bowling Green on Saturday. While unpacking from the weekend last night, I somewhat proudly and somewhat ashamedly added seven or eight freshly-bound books to my collection, dividing them up among the large bookcase, the small unofficial YA shelf, and the stool-turned-nightstand beside my bed. I stepped back, surveyed the situation, and one thing was abundantly clear: It's time to rededicate myself to the not-a-resolution I considered back in February.

I refused to make it public then because I'm fairly convinced that telling other people about my goals has approximately the same effect on my progress as high school sweethearts professing their love to one another via a yearbook ad has on their relationship's longevity. The endeavor is doomed before the intentions are even published.

So I knowingly enter into this with great trepidation, but here it is: My goal is to read one book a week. To an average reading adult, this seems doable, but in the two months since I half-heartedly began, I've finished three books. (Time to buy more?! Okay, so I've already taken care of that. Plus, I've decided not to impose a book-buying embargo on myself because I learned long ago that I'm too smart – er, weak – to fall for my own fictitious rules and deadlines.) I can blame in on the lifestyle of being a new teacher, but let's face reality. The height of the book-stacks has reached mountainous, and intervention is critical.

I'm bound and determined to scale this constantly growing mountain. And I'm taking you with me.


Birdwing by Rafe Martin

I have a feeling that even if the plot of this fairy tale had been disappointing, I would have still loved it despite itself. Luckily, the coming-of-age adventure of Prince Ardwin did not disappoint. I had not expected that a winged boy would become the one character in all of literature with whom I most identify.

This is one of the many books that I've purchased because of its attractive cover, even though I later learned that the artist's rendering of the protagonist, the one-armed-one-winged Ardwin, is inaccurate. (No, the wing is on his other left, I'd say.) I picked it up at the Scholastic Book Fair that the book club sponsored in the library at school. I mean, I had to buy books to support the student organization, right?


Not surprisingly, though, the book landed on my bookshelf unread until a month or so later when Victoria asked me for reading recommendations and I, despite having read the book, suggested it. She and I once had a tryst with the Brothers Grimm, and this story reimagines and expands the Grimm's tale "The Six Swans". Seemed like a match. She took it, read it, loved it, and foisted it back at me so that I could read and love it, too. Done and done.

Rafe Martin's writing style drew me in immediately, and I suspect it would carry me through an even poorly spun yarn. The tale is written in prose, but it is nothing short of lyrical. Martin is fond of alliterative and original adjective pairs, prepositional possession, intriguing names, and weighty nouns and verbs. His characterization is vivid and his setting is timeless in the way that the realms of the best legends are. The cast line-up is full of archetypes (orphans, evil step-mothers, and wizened wizards), but Martin develops them into a unique humanity despite their otherworldliness. The themes of love, loss, betrayal, and belonging are worked out with heartbreaking and redemptive reality.

Birdwing's narrator is omniscient, which explains my frustration with the thought processes and choices of Ardwin, the young hero. The reader is far more enlightened about reality and its consequences than he, so the attempt at dramatic irony sometimes fails because the plot twists are apparent to the reader long before the twists occur. This makes Ardwin seem very naïve, but this may just be part of the tale's theme. This youthful naivety juxtaposes nicely with the young man at the end of the novel.

I would have loved this book no matter what because I am a sucker for a nicely turned phrase, but Birdwing is more than a pretty book. It is a journey that takes us – Ardwin and the reader – fearfully into our insecurities and brings us victoriously out of ourselves.

Coming Soon! Bound and Determined: The Absolutely True Diary of a Part-Time Indian by Sherman Alexie. Check it out here.

Sunday, January 27, 2008

Curiosity Killed the Cass, or I'm Nosy

I'm getting excited. Seems everybody's getting that bloggin' feeling again. Now that people are officially being scattered the Four Winds, these crazy things called Blogs almost have a practicality to them. Turns out, we're not all writing about the same experiences anymore. And we have an almost eager -- though meager -- audience of friends. These days, our words might not just be trees falling into an earless forest, to borrow the phrasing of Wallace Stegner.

Here's my humble suggestion: If you're blogging, throw some links up to your friends' blogs so we (me and my 500 cats) can read them, too. If you're not blogging, start so I can see what you're up to. And then I can link your blog so that everyone else can see what you're up to. At the least, check out my "recommended reading" section and stalk my friends for a while. I think they have some pretty interesting things to say. That is, of course, why we're friends.

I know you're on the edge of your seats waiting for the next vlog (sarcasm added), but you might have to wait a day or so.

Wednesday, August 23, 2006

Continuum

Thank God.

I got to listen to a preview of John Mayer's new record tonight on Star 98.7. All I can say is that it is convincing. Believable. Know what I mean? It doesn't seem like he's trying to be anything. I know he's said that he wouldn't release it until it felt perfect, and I think he did a good job. No song, from what I can tell from one listen, seems like it was thrown in for the sake of having another song. I'm not sure if this makes sense, but this record feels 3-D. Each song does. It makes everything that came before it feel a little on the thin side.

But anyway, you can ignore all this because love at first sight isn't reliable. We'll see, though.

And P. S. This article is a good example of why I love John Mayer. He uses the word "opine" for goodness' sake. What more might one ask for?

Wednesday, July 05, 2006

This ain't no time for that ball and chain.


Ray LaMontagne's 2004 Trouble is the one of the best album's I have come across in a long time. Yes, my interest was piqued when Taylor Hicks sang the title track on American Idol, but the countless number of Soul Patrollers who recommend this CD know what they are talking about.

While I really enjoyed Taylor's version of "Trouble," that rendition was no indication of what this record would be like. I was actually a bit shocked when I listened to the thirty-second preview on iTunes and it sounded nothing like what I'd heard on television. But I listened to the other previews, and I liked the sound of this guy's voice. It was unique. He doesn't sound exactly like anyone else, but I would say his voice is unique in the same was that Ben Harper's voice is unique.

I read customer reviews. People were fawning all over the album. When I saw that iTunes listed Iron & Wine as one of Ray's few contemporaries, I knew I was onto something. But I still needed to give him the final test. Lyrics. If I look up the lyrics of an artist I'm considering and the words don't do anything for me, I drop them. I know lyrics by themselves aren't much without the music around them, but you know, even some of the best music has a hard time carrying a crap lyric. So I looked ol' Ray LaMontagne up on Let's Sing It, and I wasn't disappointed. Don't know why, but a line from "Hold You In My Arms" did it for me:

"When you kissed my lips with my mouth so full of questions"

It's a nicely turned line, true, but it's not the only one. There are all these people these days and their socially aware songs, and this artist has his, too. And it is quite thought-provoking. It's called "How Come."

"Love can be a liar / And justice can be a thief / And freedom can be an empty cup / From which everybody want to drink"

Yeah, check out that nice way of not ending a sentence with a preposition -- and then the big ol' subject-verb disagreement. Okay, despite all the grammar incongruencies, he's speaking some interesting truth there.

Also, the song "All the Wild Horses" reminds me so much of the score of Brokeback Mountain, I can't convince myself it didn't make a sneak appearance on the soundtrack.

Anyway, every song on this album is good. Right now, I am sort of partial to "Forever My Friend" and "Hold You in My Arms," but I do not dislike any of the songs. I bought the album Thursday afternoon before I went home. I put the songs on my iPod and played straight through to Calvert City. This is profound, you know. I get impatient with new albums with which I am not familiar, but every song held my attention. I even restarted a couple songs to get another go 'round.

Yesterday afternoon, I tried to take a nap, letting this music to put me to sleep 'cause it's that type. Soft, folky, and a little solemn. But I could not get a wink of sleep until I had heard the whole album. It was too good to sleep through.

Also, thanks to Gray Charles, you can download Ray's version of "Crazy" (think Gnarls, not Patsy) here. Yeah, he might sound like he's gotten a shot of novacaine in the tongue every now and then, but what great singer doesn't slur a bit?

So here's the point. I haven't totally absorbed this album yet, but I have enough faith in it to recommend it to you. Plus, "Ray LaMontagne" is a really fun name to say.

Tuesday, June 27, 2006

Ain't nothin' like the real thing

Gray Charles has posted a rather long interview with Taylor Hicks. By "rather long," I mean that it was posted in eight segments. So if you do go to try and read it, you'll have to click back a page or so to get to the beginning. It's very good stuff -- a highly recommended read. It was nice to hear a "real" conversation with him. Does it make me a bad person that it was kind of nice seeing that he's not afraid to drop a bomb here and there?

My Soul Patrol t-shirt is supposed to arrive today.

I gotta quit this.