groundhog day

It's five minutes to six when we drop onto the lower road, when the hairpin turns us toward the sun that we couldn't see before and can't see now. At dusk, the world is instead lit by an unseen source that has turned it all to black and white -- all but the yellow stripes that slide alongside the car, pulling us home. Everything else has gone grayscale between the chalk sky and the charcoal trees. (The three houses visible from this spot in the road were meant to be white; I can see that now.) By the time we reach the crossroads, the light will have changed again. I will, for just a second, put my hand between my eyes and the windshield, and I will, for just a second, be surprised to find that it's only a silhouette.